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geology mixes music quotations songwriting

Granite Mix IXX

It’s time for another mix. This one’s pretty random though manually so. Here’s a few comments about the tracks.

El Bachín was a bar in Buenos Aires, now demolished but the name has been transferred to another establishment. The little boy of Piazzolla’s song was called Pablo Alberto González. In an interview he said that his favourite part of the song is where it says “Dirty-faced little angel selling flowers in the skittles alley of Bachin fire at me with three roses the hunger I hear in you” (or something like that – not easy to translate). The interviewer asked “Do you know what it means?” The answer “No but I like it all the same.”

I haven’t really anything to say about Can’s track Vitamin C. It’s pretty well known and you may have heard it somewhere even if you don’t know anything about the band. Here’s a link to a video that Mute Records made to go with a re-release 3 years ago.

I first saw Carla Bley performing in, I think, 1975 when she was in Jack Bruce’s band. In fact she was the reason I went to see the band. I’ve also been fortunate to have been at a few gigs to see Charlie Haden including the one when they toured this material which was probably in 1983. That was at the Venue, Victoria, London.

Here’s a bit from an interview with Junior Wells from 1997 where he talks about his very early days as a musician.

Yeah. Well, Tampa used to play right down the street from where I was living on 22nd and Prairie. I couldn’t go any place, but I was just a kid. But I used to sit out front and listen to them. Johnnie Jones came out one night, he was playing keyboards then, and he hear me playing the harmonica. And he said, “Come on in the house”. I couldn’t go in cos Mrs. Jeffries wouldn’t allow it. He went in and told the people I was out there, and some people come outside. And they kept bugging Mrs. Jeffries about me coming in. So Mrs. Jeffries let me come in and I could play some. I had to go outside. Then, I started to bothering Tampa to get in some other places. And they started to let me take all the tips that the people was giving to me. I started hustling down and something like that. Then the other musicians, the older musicians, they started taking their time with me, too. I felt real groovy about it. You know, everybody seemed to be in my corner about helping me accomplish what I was trying to do.

I got into forró when I visited north Brazil a few years ago and Luis Gonzaga is one of the originators.

And to continue the Brazilian theme here is a song from Jorge Ben’s debut album which came out in 1963.

And now a bit of North Africa with Cheba Zahouania.

Here’s an excerpt from an interview with MF Doom from spin.com where he’s talking about his approach to writing lyrics.

I’m a rhymer, so I go for points. I ain’t going to be talking shit about the next dude, or bragging about shit I got. I talk broke shit, I talk about shit I don’t got, or things I’m striving for. Say you’re speaking from a point of view where you’re talking to yourself, in maybe a sad mood. How do your tones come across? Can people feel what you’re saying? Can they hear what you’re saying? Are you well pronounced? Maybe you purposely were a little bit sloppy with it, to bring the point across. Can you bring the point across and still get the rhyme points? It’s like gymnastics on paper.

James Brown’s 1st album from 1958 – James Brown and the Famous Flames that is.

I can’t say I know much about Macedonian folk music but I have managed to find a nice clip of Kostadin Gugov – I like this sort of home-made thing.

I know I’ve featured Ravi Shankar before – you can’t go wrong with a genius like that. And his name is linked to his official website where I see that a few weeks ago Dark Horse Records released the first ever vinyl version of his 1997 album Chants of India.

Poverty’s Paradise was the first hip-hop album to win a Grammy so it’s a bit of history too.

H.P.Lovecraft (the band that is) were only going for a couple of years in the late sixties. The link goes to a clip of them performing the song tbat’s in this mix on TV from 1968.

Finally, Beautiful Linda Getchell commemorates a sad story of unrequited love which is also alluded to in one of Fahey’s best known albums – the San Bernardino Birthday Party. You can read the story in Steve Lowenthal’s biography of the great guitarist. Only if you’re interested though.

Granite Mix 19
title artist album
Chiquilín De Bachin Astor Piazzolla Moderato Mistico
Vitamin C Can Ege Bamyasi
Introduction To People Charlie Haden / Carla Bley The Ballad Of The Fallen
Early In The Morning Junior Wells Hoodoo Man Blues
São João Do Carneirinho Luiz Gonzaga Sao Joao Na Roca
Quere Esquecer Voce Jorge Ben Samba Esquema Novo
Ala Lasmar Moul Khana Zahouania Golden Rai
Figaro Madvillain Madvillainy
Tell Me What I Did Wrong James Brown And The Famous Flames Please, Please, Please
Razturi Se Shar Planina Kostadin Gugov Macedonian Songs
Village Dance Ravi Shankar Tana Mana
Sunshine Naughty By Nature Poverty’s Paradise
I’ve Been Wrong Before H.P.Lovecraft H.P.Lovecraft
Beautiful Linda Getchell John Fahey The Transfiguration Of Blind Joe Death
Categories
mixes music

granite mix sixteenth

And yet another mix of music from my collection which grows and grows. I selected a few tunes using Spotify the other night when I was round at a friend’s house which I’d never done before. Easy enough to find an artist then for simplicity’s sake I pressed shuffle play. It seemed to me that was a crap way of creating a mix. Without any knowledge the results soon debase to tedium. That’s why I have no interest in investing in a streaming service. As far as I’m concerned you’re far better in knowing and understanding your own collection. That’s not a rant just an observation.

Granite Mix 16
Artist Title Album
Echoes of Zion A Charge To Keep I Have Get On Board Little Children
Ravi Shankar Fire Night Improvisations
Bob Dylan Clothes Line Saga The Basement Tapes
Gato Barbieri El Dia Que Me Quieras Fénix
Back Door Askin’ The Way Back Door
Aretha Franklin Respect I Never Loved A Man The Way I Love You
John Surman Three Aspects A Biography of the Rev. Absalom Dawe
Michael Mantler When I Run Silence
Yochanan Hot Skillet Mama Sun Ra – The Singles
Geoffrey Toye The Haunted Ballroom Miniatures (British Light Music)
Kevin Ayers Eleanor’s Cake Which Ate Her Joy of a Toy
The Velvet Underground Guess I’m Falling In Love Live at the Gymnasium 1967
Stan Getz O Morro Nao Tem Vez Jazz Samba Encore!

Echoes of Zion a gospel quartet have been going since 1930. No upcoming events but they did a gig in October at Zion Grove Baptist Church in Atlanta.

I once sat a couple of rows behind Ravi Shankar at one of his daughter’s gigs. My first exposure to his music was probably his soundtrack to Jonathan Miller’s TV version of Alice in Wonderland in 1966 which was probably responsible for fostering a love of Indian classical music in me.

I’m not familiar with Bobbie Gentry’s 1967 hit song Ode To Billie Joe but after all you can enjoy Dylan & The Band’s song just for its own quirky calm inanities.

Gato Barbieri here in his usual passionate style swoops down with a version of Carlos Gardel’s eponymous song from his 1935 film.

In the summer of 1972 friends and I would range out to the North Yorkshire Moors to a lonely pub called the Lion on Blakey Ridge to see a band play in a packed bar. It was a classic case of being in the right place at the right time and listening to tracks like Askin’ The Way which they used play then brings it all back to me.

I love a lot of female singers but Aretha is the greatest.

The first John Surman album I bought was Westering Home which came out on a low-priced Island LP series, not brilliant quality vinyl but it still plays ok now I think – there was a distinctive black inside sleeve. He was already using overdubbing techniques then which were further developed during the S.O.S. (Skidmore, Osborne, Surman) days. This country it seems to me has never properly recognised one of its greatest musicians.

I’m very fond of the 3 words and music albums that Michael Mantler did. I think he did at least another one but I don’t have it and maybe it doesn’t exist, but the 3 I’m thinking of are No Answer, The Hapless Child and Silence from which this track comes. The last one is my favourite.

In the sleeve notes to the double CD of Sun Ra – The Singles there is the following description of Yochanan by blues researcher Dave Whiteis

He had an elastic face with big bulging eyes. He would contort his face into odd expressions and roll his eyes. He was very comical, very creative. Yochanan wore loud colored clothes – bright reds and yellows, or sun colors. He wore a turban and wore sandals all year round even when it was snowing. He never wore an overcoat no matter what the temperature. Never needed it he said because he was ‘the man from the sun’.

Geoffrey Toye’s ballet music is the oldest piece in the mix dating back to the thirties when it was produced with contributions from the legendary figures of Ninette de Valois and Robert Helpmann. It also goes the furthest back for me because this was a piece of music I heard frequently in my childhood, so when I rediscovered it when I bought a secondhand album called English Music some twenty or thirty years later it evoked an involuntary memory.

I first heard this song by Kevin Ayers on the Harvest Records sampler double album – Picnic – A Breath of Fresh Air. In my opinion it’s the best song on that album along with Syd Barrett’s Terrapin, but I would think that wouldn’t I.

I only heard for the first time the live recording of The Velvet Underground from 1967 last year, but all the tracks are great and it should be much better known. I particularly like the instrumental version of The Gift but didn’t choose that for this mix because… well probably because I often choose tracks by just randomly keying in some letters as a search string.

But I think I decided specifically to end the set with Stan Getz for some reason. Maybe not the nicest of guys by most accounts but he was a great musician and a great interpreter of the work of Jobim/Moraes.

granite 16