I have a little gig on Saturday night at the Adam & Eve pub in Hotwells. I’m doing it with my good friend Jane Thomason which seemed like a good idea. Initially Everton Hartley will also feature – he has another gig on Saturday so he’ll only be around for the 1st half hour (9-9.30).
The plan is that Everton and I will do our guitar duo thing, then Jane will do a set of her wonderful songs and then she is going to accompany me on violin for a mostly instrumental set. We’ve only got 5 pieces that we’ve worked on, but all the pieces are vehicles for improvisation and have no set length.
The image is one that Jane has created and used on her Facebook page to publicise the gig.
In particular I was supposed to organise an album launch party that could have been a starting place a building block foundation or something of that sort. Instead just 2 tracks from the thing. 2 bits of stuff which I can no longer judge. That’s how it should be I suppose.
Firstly Caspian Gates which is a potted history of Alexander the Great (356-323 BC). It doesn’t tell you a great deal about him sorry about that. But if you’re interested it’s fairly easy to find out. One of the interesting things about the Caspian Gates – the gates that is and not the song – is that nobody is sure exactly where they are geographically or at least where the mythological site of the gates is.
And the other song is called Love On A Moving Platform which is a song about moving platforms and love. Adolf Hitler had a dream about leading his country. It came true. So not all dreams that come true are good things. Surely some are but possibly not.
Love On A Moving Platform
If you’d like to buy either of these tracks or indeed the whole album or other albums come to that you can do so by going to the Buy Stuff page which is on the menu at the top of the page. I can’t say fairer than that can I?
The 2 songs feature as well as myself Paul Wigens on drums Mike Mulholland on bass guitar Rosalind Moreno-Parra and Jane Thomason on backing vocals.Thanks again to all those musicians and the fantastic work they put in with very little direction from myself.
Earlier this year I wrote in a post that I was determined to write a song in Esperanto before the end of the year. I haven’t done so yet, but I’ve gone a certain way along the path in recording another improvisation in which I make heavy use of numbers 1 to 10 in the said language and I’ve given it an Esperanto title. I mentioned a couple of months earlier that I was reading a certain book by Mr Wells and the Esperanto language does feature to a certain extent in the book where it is used as a symbol of a posited future where peace is a possibility.
Also enveloped within the music-scape is the traditional song Scarborough Fair. I will be performing on Saturday at Lance and Libby Cross’s wedding anniversary party which will be a pleasure. My good friend Ant Noel and I will be running it in an open mic style. Including ourselves there should be also appearing Jane Thomason, Franny McGirr, Dan Ashby, Everton Hartley, Rosalind Moreno-Parra and probably some others. Whether I will get round to doing something like this piece is not definite. All I know for sure is that I will be playing my song Wishing Well at some point because it’s a particular favourite of Lance’s.
Then on Monday I’m supporting Jane for her album launch. For that occasion I will be doing a set accompanying Rosie with me and Everton on guitar. The 1st song on Jane’s new album was written after seeing a gig Rosie and I did last December just before Christmas at a tango milonga. I’m so pleased she did that it’s beautiful as is the whole album.
Here’s the latest improvisation. It’s the 3rd in a series and it’s a bit over 20 minutes long. Everything was recorded live.
the final recording session for the new neureille album is a few days away. the last time i was working on an album i wrote a post about which animals featured in which songs. i’m not going to go quite into that detail this time but here’s a few words about some of the features of the lyrics. there’s a lot about roads – lanes, streets, paths and such like. there are 3 horses that is 3 songs each that mention a horse. only one of those horses has a name but the name isn’t used in the song. 2 of the songs each mention 3 birds so in terms of the number of birds mentioned in songs i have written that’s a result. 2 writers who are principally known as children’s writers are referenced in the titles of 2 of the songs. 1 british 1 belgian. i usually like to think that most of my songs’ lyrics contain at least some reference to death, but when i consider these only about half of them do, actually it’s never something i actually do deliberately. i mean fifty per cent of the songs don’t mention death. that’s not too gloomy is it?
the last thing that needs to be done is the backing vocals and i am happy to be able to say that i have rosalind moreno-parra and jane thomason to assist me with those. i’m just worried that i’m going to like their bit so much i will end up wishing i’d built the whole thing round that.
i’m in the thick of trying to think of sequence. track sequence that is. you hope it should work it out for itself but sometimes requires a lot of thought to allow that to happen. what i mean is that the right order is there but you have to work out what it is. i thought i had first and last which is always the best place to start, but now i’m not so sure. might as well leave it until it’s mixed though as things might appear different then. sorry i’m rambling.