Categories
music nonsense sea trees

WEEW

It’s over a year now since I started work on recording the fifth Neureille album but I still need a few more sessions before it’s finished. I’m happy with the way it’s going and contributions from Paul Wigens, Everton Hartley, Mike Dennis, Pete Judge and Jim Barr have been superb. The next session is going to involve Ant Noel if we can get it together and that then shouldn’t leave too much to do.

In the meantime here’s a couple of improvisations I recorded on Sunday – just me and the loop pedal. The 1st is about 3 and a half minutes, the 2nd 8 minutes something. I thought about adding some words but instead here are the words I was thinking of using – you can always try a voice over of your own. It seems I wrote these at 1am on 2 October 2015. My diary tells me that earlier in the evening I’d been at Jocasta’s open mic night at the Clifton Wine Bar. The text file history tells me that I then modified the words on 3 April 2016 at 11.30pm. My guess is that I then added the last 11 lines and gave the thing a title which is West to East and East to West

the melting preferential stripped of alternate meaning
the diaspora of the circumference of the passing shroud
swill bits that squirm through deltoid species
the fascinating fandango of the fantastic phalanx
add extra sum-ups slowly and from below
the twining undergrowth of holistic chasubles
dredged as if from saffron drain combustible syringes
cotton-bud simplicity mixed with altruistic tendencies for symbiotic adherences
turtle-clad appendages bristling with slimy tendencies for chlorine aroma
aroma like sedge harvested from cocoon mocking hysteria
a thimble-full and then plenty
squidged through the blatant synergy of druid-built floating platforms
until suppressed and supplanted by visual images of cacophanies long forgotten
in boats squeaky on a high-built sea
like throats weakly on a fibre tree
I admit to a remote tendency
for torrid themes of treachery
and in-built divisions of geometry
that fly up into the terrasphere
and cast a shadow right to here
where symbols drift and conflicts clash
who cares to lift whose conduct rash
and so I pause and seldom rest
west to east and east to west

Fragment I
Fragment II
Categories
gigs music sea songwriting

March date

Actually I’ve got another gig in 2 day’s time which will precede this one so that’s a good warm up. On Tuesday it’s just me accompanied by Nacho on coj√≥n, but the gig on the teenth will be with Everton Hartley on bass guitar and there will be at least one guest performer hopefully 2 or 3.

The desaturated background to the flier is a drawing I found somewhere on the web of King Canute sat on his throne surrounded by his elite bodyguard at the edge of the sea. Here’s the words to my song Die Andere Seite just for fun.

mirky brown tide
and on the other side
path’s cute as canute
but there’s no sound of a flute
where did the great god die?
or was he just lord fly?
mirky brown tide
mirky brown tide

invisible cloud
like a veil or a shroud
makes you inside darken
you can see when they cut you open
and it’s also very loud
invisible cloud
invisible cloud

zig-zagging high
without a word of a lie
you’ve got to time it right
to avoid any fright
two snakes twisting by
zig-zagging high
zig-zagging high

Categories
gigs music

18th july gig

IMG_0031 (1)

I have a little gig on Saturday night at the Adam & Eve pub in Hotwells. I’m doing it with my good friend Jane Thomason which seemed like a good idea. Initially Everton Hartley will also feature – he has another gig on Saturday so he’ll only be around for the 1st half hour (9-9.30).

The plan is that Everton and I will do our guitar duo thing, then Jane will do a set of her wonderful songs and then she is going to accompany me on violin for a mostly instrumental set. We’ve only got 5 pieces that we’ve worked on, but all the pieces are vehicles for improvisation and have no set length.

The image is one that Jane has created and used on her Facebook page to publicise the gig.

Categories
gigs music Uncategorized wells

tri

Earlier this year I wrote in a post that I was determined to write a song in Esperanto before the end of the year. I haven’t done so yet, but I’ve gone a certain way along the path in recording another improvisation in which I make heavy use of numbers 1 to 10 in the said language and I’ve given it an Esperanto title. I mentioned a couple of months earlier that I was reading a certain book by Mr Wells and the Esperanto language does feature to a certain extent in the book where it is used as a symbol of a posited future where peace is a possibility.

Also enveloped within the music-scape is the traditional song Scarborough Fair. I will be performing on Saturday at Lance and Libby Cross’s wedding anniversary party which will be a pleasure. My good friend Ant Noel and I will be running it in an open mic style. Including ourselves there should be also appearing Jane Thomason, Franny McGirr, Dan Ashby, Everton Hartley, Rosalind Moreno-Parra and probably some others. Whether I will get round to doing something like this piece is not definite. All I know for sure is that I will be playing my song Wishing Well at some point because it’s a particular favourite of Lance’s.

Then on Monday I’m supporting Jane for her album launch. For that occasion I will be doing a set accompanying Rosie with me and Everton on guitar. The 1st song on Jane’s new album was written after seeing a gig Rosie and I did last December just before Christmas at a tango milonga. I’m so pleased she did that it’s beautiful as is the whole album.

Here’s the latest improvisation. It’s the 3rd in a series and it’s a bit over 20 minutes long. Everything was recorded live.

estas nenio

Categories
insects trees

rain yellow flowers

rain yellow flowers caricatures south west england against deep interiors of the african continent during the nineteenth century. this blends into specific meridians of meandering thought. laburnum flowers here dangle concupiscent and aleatorically irrelevant.

i think i’ve pinned it there but don’t blush. derogatory whispers split infinite commands of rectitude. skies consonant and irregular at quavering times to drift nonsensically towards the plains of contusion.

guitars voices and a solitary saxophone resplendent with guttural perches strapped on and blending into darkened vortices of sick – sicle – syphon – ssss.ansidote

renal yell flickering
rhodes year freshman
ripped yeast farine

thanks to bbc creative licence for all the clouds

the rest is silence

Categories
gigs music

Next gig

0308poster

we hope you can make it. please spot the deliberate mistake on the poster which I’ve only just been made aware of. presumably pleading insanity will get me knowhere.

Categories
gigs music

Midsummer Madness

2206posterweb

Poster image by Frank Paul. I reduced the luridness of the colours mainly in an attempt to save on printer toner.

Categories
gigs may music

may gig n

where n is a number

May11gig

also this month I will be playing with Rosie at Wild at Heart, Broad Street, Bristol on 17th; somewhere in Queen’s Square, Bristol on 18th – more details of that later.

Categories
gigs music

Neureille album launch

gig

Categories
angels birds fire insects literature music nonsense sea spider trees

mr knight

I am halfway or more through my new album which I won’t name yet, but I thought I’d do a quick creature head count.

1st song

a flesh hound (whatever that is)

2nd song

another hound (seems to be a bit of a theme – not intended)
sparrows

3rd song

red wolf
bees
mountain lion

4th song

hare
fish
birds

5th song

raven

6th song

tsetse fly

7th song

none

8th song

crow
dragonfly
spider

9th song

none

Eventually I’ll do a whole thesaurus of the animals, birds, fish etc. that populate the world of my song lyrics, not to mention the trees, flowers and assorted inanimate objects. When I am ill and lie abed with 2 fat wishes I’ll be fed and let the leaden moments pass each choosing singly their own path.

Instead of a basic guitar/bass/drums core the new songs are underpinned simply by 2 acoustic guitars. There is a 10th song which won’t be on the album but is a new version of an old song and this moves matters in a further fish like direction. Everton Hartley as always is the 2nd guitarist. We also recorded a dozen or so minutes of the instrumental music that we play together under the name Ashinosya. Here’s an excerpt from that to give you a flavour of the 2 guitars by themselves.

Instrumental