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geology mixes music nonsense sea

Granite Mix 7

and now a granite mix that deals with my own work. this is my unveiling on this website of my new album which is called true v eye and will imminently be available on itunes and as a hard copy at my amazon store – see the buy stuff page for links. there are only 2 of the tracks from the new album featured on the mix along with a selection from other albums and some obscure places.

the music speaks for itself but it would be churlish not to write a bit about these tracks so here goes. desert ghost dance has nursery rhyme style dialogue and therefore acts as a pair with track 6. a famous german 20th century artist is referenced in the last verse. perplex is a pair with it too because it is also a dialogue of sorts. then there’s suspense which also hovers between heaven and earth, as do, for that matter the children of the sea. domes however merely fly beneath the starlit sky. i’ve already mentioned in my jar – a famous 20th century british writer is referenced in the 3rd verse.

my video for happy song is a shoddy affair but has a certain innocent sweetness in its demeanour which i hope makes up for that.

the track that i’ve called chasing the sun dates to a period when I was using a sampler to create the basics of my music. everything was a home recording and nothing was ever that well-finished but i’ve got a lot of interesting things that may never show the light of day. this one’s made it through though – for a while at least. It contains a sample from a track by sun ra called disco 2100. in the train was recorded in about 1982. at the recording session for the new album i re-recorded this track and my plan is to release both versions on some vinyl later this year. this is a re-mastered version of the 1982 track.

the words for v’nosnu are almost all from primo levi’s magnificent novel if not now when (english translation i’m afraid – an italian version would be good or maybe even a yiddish one). i’d just like to point out though that there is some art to it all the same – though mostly inspiration. in my book inspiration trumps artfulness. a cherry tree aka the cherry tree was somehow inspired and inter-connected with the music of the last track of the mix. I was still at school when I wrote the words which aren’t used in the music but which are

I planted a cherry tree
I watered it every day
in the summer I sat in its shade
one day a cherry appeared on my tree
one day a cherry appeared on my tree
it is for this that we live
it is for this that we live

here’s the mix

ca

Granite Mix 7
Artist Title Album
Neureille Desert Ghost Dance True V Eye
Neureille Perplex Amanogawa
Dry Rib Suspense Whose Last Trickle
Neureille Children Of The Sea Disparue
Robert Vasey Domes Unreleased
Neureille In My Jar Amanogawa
Neureille happy song (for dependable person) Disparue
Robert Vasey Chasing The Sun unreleased
as,hem,syrup In The Train Whose Last Trickle (remastered)
Neureille V’Nosnu True V Eye
Robert Vasey A Cherry Tree Unreleased
Categories
film

3 films by by roger thorp & rob vasey

Here are 3 short films that I did in collaboration with Roger Thorp. My contributions are in varying degrees of emphasis, starting with Frozen Song. Roger had the film and the basic piano soundtrack. I thought of adding the crows and the dialogue to the soundtrack and then the idea for the recording of the children singing somehow had to follow.

Transit, again is Roger’s film, but the soundtrack is all mine though I think I used a background ambience sound that Roger wanted in the mix. Actually I might try and do a better soundtrack sometime this year and put up this film again with the proper frame ratio.

This last film uses more air travel type footage which was photographed by Roger during a visit to the World Wide Video Festival in Amsterdam, but I edited this one to use as a video for a track on my album, Disparue. Credits for the musicians are on the YouTube page. It’s called The Airman’s Prayers.

Categories
literature music

Men Of War

This is the 2nd in the series of repeated songs. The 1st entry on this subject is here. This song is called Men of War. The 1st version which is on Whose Last Trickle was recorded close to the writing of the song in about 1980. I don’t remember where, why and how I wrote it. I embraced surrealism from an early age. The subversion of reality and breaking through into the world of dream seemed more exciting than anything else in the world of art, film and literature back in the 60s when I was a teenager. I wrote surrealist poems at first then maybe some songs but not all the songs. It was something I could do, but I wanted to try other things as well. Often those other songs might have an element of surrealism lurking there all the same. But it was in 1979 that I deliberately decided to write a song that was purely surrealistic and it was called Squeaky Macaws. I’ve got a couple of demo recordings of this track that didn’t make it on to Whose Last Trickle. I’ll load them up sometime. Men of War moved onto another level. For a start it was half in French, which is probably the most of I’ve ever made of the degree I have in the language. But also there’s a nautical theme.

Here’s the first version. It was recorded in Endell Street, Covent Garden, London. It features me on guitar and vocals, Lindsay Lancaster on bass guitar, Ray Kent on drums. It’s the recording of a live performance and consequently is a bit rough. It wasn’t meant to be for general consumption but that’s what’s happened.

1980 men of war

I wanted to re-record this song, because I like it and although the earlier recording has a certain naive charm (if you like that sort of thing) and the right spirit, it wasn’t a brilliant recording of the song technically. This 2nd version was recorded at J&J Studio , Easton, Bristol in late 2007. I play guitar and sing, Paul Wigens on drums, Jeff Spencer on bass. I overdubbed a lead guitar part and also doubled up on the vocals, but apart from that, the guitar, drums and bass are all played live, though Jeff probably touched up his bass part as he’d never played any of the tracks before.

2007 men of war

A little bit more about surrealism. Firstly a quotation from Walter Benjamin,

…it is as magical experiments with words, not as artistic dabbling, that we must understand the passionate phonetic and graphical transformational games that have run through the whole literature of the avant-garde for the past fifteen years, whether it is called Futurism, Dadaism, or Surrealism.

Actually that’s probably it for now. Except here’s 2 youtube links for anyone interested. Firstly one of the seminal works of the movement, produced in 1929, 10 years after the setting up of the surrealist group and apparently as a means to join the group on the behalf of its creators, Buñuel and Dali. Funnily enough that’s the same year Benjamin’s essay on Surrealism from which the quotation above comes was first published.

and finally an episode of an old children’s tv show called Buccaneers from the 60s starring Robert Shaw which gave me some early sailing craft images back in the day