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geology mixes music

Granite Dozen

I have finally managed to get all my digital music on one device, pretty much all anyway. That still leaves out a vast amount which is on vinyl although some of that has been digitised and is on the device though quality not brilliant. Anyway this task makes it easier for me to create a to some extent random mix and behold another exercise in granite-working.

I’ll ski on to the tracks.

Canção do Amor Demais is a beautiful album where lyricist Vinicius de Moraes and musician Antônio Carlos Jobim got Elizeth Cardoso to sing for them. A ground-breaking album from 1958 with fantastic arrangements by Jobim and I love Elizeth’s voice.

The Jon Hassell track is really just a short thing but if you want to hear more of his music here’s a link to about an hour’s music from a 7 year old gig.

Der Ruf der Rohrflöte is a very atmospheric piece. When I shove it into Google translate I find it means ’The reputation of the reed pipe’. I’ve got the DVD of Nosferatu but haven’t watched it for a while – I must soon and I will try and spot where this track occurs, it’s track 10 on the soundtrack but that may not mean anything.

On my first Granite mix which was back in December, 2011, Wayne Shorter was included with a track from this same album. It’s not my only album of his but it’s just coincidence. I’ve thought for a long time that he’s undervalued as to how great a composer he’s always been. A friend told me the other day she’d been to see him with the Lincoln Center Orchestra at the Barbican and it’s good to see that maybe he’s starting to get recognition – since he’s 82 now it’s about time.

The Sinatra song is from a film called Higher and Higher which came out in 1944. I couldn’t find a clip of him singing this song in the film but here’s a 5 minute snip and there’s another song so you get the feeling.

Granite Mix 1 also had a track from Gang Starr there’s nothing really strange about this I know but I’m still worried. Shame what happened to Guru, but Premier is still representing as you can see in this clip of his set 3 years ago.

Lani McIntyre is perhaps not as well known as some of the other artists nor probably ever will be but I certainly was happy to find this clip of him with his orchestra and a bunch of sweet dancing girls.

Robert Wyatt first started to develop the political impact of his songs and music around 1980 but the album that first drew that together, Nothing Can Stop Us in 1982 only had one song written by himself, Born Again Cretin which was his first stab at writing a political song (at least first made public). Three years later he brought out Old Rottenhat and he’d managed to crack it with some really strong material that dealt with politics in an outstanding way. The song included in this mix is just as relevant today.

Finally to accompany the last track I’ve found a lovely clip of Sooliman Ernest.

here’s the mix

Granite Mix 12
Artist Title Album
Elizeth Cardoso Luciana Canção do Amor Demais
Jon Hassell Camminavo Nella Strada Sulla Strada
Popol Vuh Der Ruf der Rohrflöte Nosferatu
Wayne Shorter Armageddon Night Dreamer
Frank Sinatra A Lovely Way To Spend An Evening Frank Sinatra In Hollywood Volume 1
Gang Starr Form Of Intellect Step In The Arena
Lani McIntyre Chimes Hawaiian Moonlight
Robert Wyatt United States Of Amnesia Old Rottenhat
S.E. Rogie Baby Lef Marah Palm Wine Guitar Music: The 60’s Sound
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geology music

granite mIX

first i must explain the ethos behind this the 9th granite mix. which is that i used my box to create a playlist. the songs chosen to make up the playlist all are chosen with 2 common letters – in this case m and y. this conceit has caused some repetition in artists that have previously featured but ultimately that’s taste…

the advantage of the playlist is that it does a segue/fadein-fadeout between the tracks. just about everything that was selected in this case seemed to have a long fade-out which pretty much negates the effect of the segue. still nothing becomes improvisation but artifice as they say in the old guignol street presentation…

mys mr fahey suffered from epstein-barr syndrome when he recorded this album. somehow that’s not a problem for me. i also love bill evans solo album … which was not released at the time because it was thought to be so bad. see further down the playlist for mr evans but not that album. a new film about john is going to be shown on bbc4 on dec 6.

i think french rap could have been sold better in the uk if we hadn’t been so up ourselves. here’s the video if you like this.

myt the only myth on my unit. sun ra is a big myth. and not only is he a myth but he is also a mystery.

my(+space) i am fortunate to have seen sharon van etten twice. once on her own and once with a band. i do not know which to prefer the beauty of inflexions or the beauty of innuendos.

my romance. now it’s getting quite intimate. that’s the trouble with m and y maybe i should have chosen something a bit more random, like a and s

and then gerald finzi comes along and sorts it out. hopefully.

joseph spence makes me reconsider my whole approach to singing. somehow i feel he is challenging me to reassess and reorder. above all in 2014 i want to write a song in esperanto.

whereas rambling on my mind tracks into the veracity of priesthood. the crossroads are literally that – roads where you might find the cross.

what was born in those gospel tours that monk did when he was just a lad?

a couple of british guitarists to end with. why didn’t anyone at island records make sure that there were decent live recordings of the many gigs that chris spedding did with john cale? were they coked out of their brains or something?

sorry song for my mother is from a vinyl digitisation and i increased the gain slightly but it’s a bit distorted. i’m sure you can download it for a small fee if you want to hear it perfectly. i could quote a 3rd great british guitarist on this subject but won’t right now.

finally chris spedding showing his mettle. thanks to michael mantler for this great album which along with no answer and the hapless child are i think the best literary albums ever.

here’s the mix

Granite Mix 9
Artist Title Album
John Fahey The Evening Mysteries Of Ferry Street I Remember Blind Joe Death
Soon EMC Elucider Ce Mystère Giant Steps
Sun Ra And His Myth Science Arkestra Big City Blues The Singles
Sharon Van Etten Where Is My Love Home Recordings
Bill Evans Trio My Romance The Village Vanguard Sessions
Finzi Singers My Lovely One Gerald Finzi Choral Works
Joseph Spence Gonna Lay Down My Sword And Shield Gospel At Newport
Robert Johnson Rambling On My Mind The Collection Johnson 20 Blues Greats
Thelonious Monk This Is My Story, This Is My Song Straight No Chaser
John Cale My Maria Helen Of Troy
John McLaughlin Song For My Mother My Goal’s Beyond
Michael Mantler I Walk With My Girl 2 Silence
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geology mixes

granite mix 3

I still remember very well first hearing Rock Bottom back in 1974. My friend Ray Kent bought it before me and played it to me. He described it as soft rock. My favourite British rock/pop albums are The Madcap Laughs, Rock Bottom and Shooting At The Moon. What have all 3 got in common? The contribution of Robert Wyatt.

I like the song Alabama Bound so much that I wrote a sort of tribute song which I call Belerion Bound. I don’t play it too often, maybe I’m too much of a Puritan to want to emphasise it’s hedonistic agenda. Actually it’s called Don’t You Leave Me Here and is by Papa Harvey Hull & Long ‘Cleve’ Reed.

It’s hard to remember just what impact David Bowie‘s Station To Station had back in 1976. It takes me back to the sitting room of my friends Rod & Sheila Henderson in Hyde, Manchester. The still from The Man Who Fell To Earth on the cover seemed to hint at things that were extra-terrestrially incumbent. Actually the film came out earlier in the year, before I was living in Manchester. The film I associate with my short time there is another offering from that year, Taxi Driver. That’s something for another time. There is much to write about it seems.

Which leads me to the soundtrack of another 70s film, Roma. I didn’t get to see this film until 73 or 74 and I have a vague memory that I saw the end of the film (the motorbikes bombing around Rome) first as the previous screening hadn’t finished when I took my seat. It’s not a good idea to do that, although not too bad with a film like Roma.

I first saw John Cale perform on June 1st 1974. That’s easy to remember because the concert was recorded and came out on an Island Records album and that’s what they called it.

Sun Ra I think I saw twice, both times at The Venue by Victoria station. And in reference to the earlier paragraph, that was somewhere I also saw John Cale do a solo gig on his first solo tour and I saw Nico do a solo gig there once too.

Monk sadly I never saw. I’m working on a guitar solo version of Pannonica and have been doing for a while now. It’s going to take me a little longer before I contemplate playing it live, but one of these days.

Misterioso is another of my favourites. I’ve seen the Kronos Quartet a few times. The first album I bought with them on was Terry Riley‘s Cadenza On The Night Plain. There is much to listen to it seems.

Finally back to 25th December at Rod & Sheila’s in 1976. My best Christmas present was the box set of Keith Jarrett‘s Solo Concerts. I may have played one of the sides sometime that Christmas morning. Afterwards I left the triple album in its box on top of the TV set. It’s never a good idea to leave records on the top of the TV. Especially not on Christmas Day in 1976. Later that afternoon I found that the records had sort of changed shape and not much of the vinyl was left in a listenable state. So this recording of Side 4 of the record is from my 2nd copy of the album (although I’m afraid it has some vinyl defects near the end). I should point out that this last track is a couple of minutes over 20 minutes long.

here’s the mix

Granite Mix 3
Artist Title Album
Robert Wyatt Little Red Riding Hood Hits The Road Rock Bottom
Papa Harvey Hull & Long Cleve Reed Don’t You Leave Me Here The Songster Tradition
David Bowie Golden Years Station To Station
Nino Rota Ecclesiastical Fashion Show Roma
John Cale Baby You Know Sabotage
Sun Ra & His Outer Space Arkestra Rocket Number Nine The Singles
Thelonious Monk Quartet Straight, No Chaser Live At The It Club
Kronos Quartet Misterioso Monk Suite
Keith Jarrett Lausanne March 20th 1973 Part 1 Solo-Concerts

Thanks for listening and finally I would like to copy out the words of a poem by William Carlos Williams. I don’t know why exactly but the desire hit me a little bit earlier.

An Exercise

Sick as I am
confused in the head
I mean I have

endured this April
so far
visiting friends

returning home
late at night
I saw

a huge Negro
a dirty collar
about his

enormous neck
appeared to be
choking

him
I did not know
whether or not

he saw me though
he was sitting
directly

before me how
shall we
escape this modern

age
and learn
to breathe again