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1967 Part 2

so here is my 1967 granite mix. actually it’s the 1st one cos i’m planning a 2nd one. this one contains tracks that largely fit into the rock/pop bracket that could at least potentially have charted and most of them did. i’ve tried to make it a varied mix. some of the tracks i heard at the time (i was 13 that year) but there’s quite a few which i didn’t get to hear until later on. a couple of them i’d never heard until i thought of putting them on the mix.

i mentioned in the last post that musically 1967 was a crucial year for me. let’s face it i could pick out any year around then and say the same thing and put together many more mixes. the crucial thing i’m talking about is what’s emphasised in this mix. it was the year when afro-american artists came to the forefront. these artists had been around for a while especially if you’d been into early rock’n’roll or been a blues fanatic. the artists that had taken centre stage in the british music scene had come out of those people but they had then taken over and dominated and to be fair in their turn influenced the afro-american artists. but in 1967 things turned around and it seemed quite sudden that there was music that you could dance to without looking stupid. not that i did then. well if i did i don’t remember it.

i know that sergeant pepper’s and the previous year’s pet sounds were massively influential and i was certainly still listening to some british and white american bands but they didn’t get to me like the music coming out from detroit, memphis, muscle shoals etc

so anyway the 2nd mix will be any type of music that was released in 1967 and probably won’t have much that could have charted in it.

i’ll write a bit as usual with added links about the tracks on the mix. the setlist is below all this text and that’s where you’ll find the button that plays the music.

actually i haven’t got a lot to say about most of these artists. there’s not really that much point about re-hashing information gleaned from the web and i haven’t got a vast library of literature on the subject and the library’s been closed for weeks now. but i’ve gathered together a number of clips where i could of archive footage from 1967 or around then. here’s the one for booker t and the m.g.’s

i wasn’t aware at the time of the late sixties of the electric prunes but i’ve put them in the mix as something a bit different and they were ground-breaking in their own way.

my brother or my sister (possibly both) had a nina simone album back around this time so she was definitely one of the artists that i’m talking about above.

the incredible string band were more in my life a few years after in the early 70s. i can’t say i was ever that much into them but most people i knew then who were trying to play music seemed to be imitating them and could play many of their songs. i never learnt any of them but often played along to other people playing them.

and it was a few years after the late sixties that i first started listening to james brown. i knew the name from the temptations song sweet soul music where he was denoted as the king of them all. it always seemed strange to me that he was the king and yet his music wasn’t that widely heard. he didn’t actually get into the uk top ten until 1986 (and that was the only time he did) although he did get to number 13 in 1966 but i was only 12 and i missed it.

and similarly i was unaware of the velvet underground until the early 70s.

but tramp was one of those songs that made me think about things back then. there had been male/female duo songs before from artists like sonny & cher but this was different. it was like real life instead of some fantasy bullshit. and it swung. sorry no clip for carla thomas only otis.

back in 1967 frank sinatra’s music wasn’t anything that particularly interested me but i could feel its strength. strangers in the night had been a huge hit in 1966. i can’t recall hearing any of the album with jobim at the time but later i came under jobim’s influence like so many others.

if i was to choose a favourite soul artist from that era it would have to be aretha.

i learnt to play chapter 22 last year. i’ve always got to remember to start it slow enough. you can play it a bit quicker but then the bass riff at the end of each verse is harder to get right. ufo?

i’m sure that if samuel johnson had been alive in the late 1960s he would have said that if a person was tired of sly and the family stone then they were tired of life. but maybe bobbie gentry would have been more his thing.

maybe i should have saved the ivor cutler track for the next mix. the beatles’ magical mystery tour was broadcast on tv in december 1967 with ivor featuring as buster bloodvessel, the bus conductor. you probably already know that.

7 rooms of gloom by the four tops was another one of those songs that seemed to open things up.

you took the dream i had for us and turned that dream into dust i watch a phone that never rings i watch a door that never rings

i must admit it never occurred to me that maybe 7 rooms was a lot of rooms for a couple. maybe there were kids too. they’re not mentioned in the lyrics.

one rainy wish was released as the b side to up from the skies. that was the only single to come from the jimi hendrix experience’s 1967 album. the next single they released was a cover of the song that closes this mix.

according to wikipedia wilson pickett’s version of funky broadway was the first charted single with the word funky in the title.

dylan has written that when he performs all along the watchtower he feels that although it’s his own song he feels like it’s a tribute to hendrix.

Granite Mix 20
title artist album
Hip Hug-Her Booker T & The M.G.’s Hip Hug-Her
Wind-Up Toys The Electric Prunes Underground
Go To Hell Nina Simone Silk & Soul
Way Back in the 1960s The Incredible String Band The 5000 Spirits or the Layers of the Onion
Bring It Up James Brown & The Famous Flames James Brown Sings Raw Soul
All Tomorrow’s Parties The Velvet Underground & Nico The Velvet Underground & Nico
Tramp Otis Redding & Carla Thomas King & Queen
Dindi Frank Sinatra & Antonio Carlos Jobim Francis Albert Sinatra & Antonio Carlos Jobim
Baby, I Love You Aretha Franklin Aretha Arrives
Chapter 24 Pink Floyd The Piper at the Gates of Dawn
Bad Risk Sly & The Family Stone A Whole New Thing
Shoplifters Ivor Cutler Trio Ludo
7 Rooms of Gloom Four Tops Reach Out
One Rainy Wish The Jimi Hendrix Experience Axis Bold As Love
Funky Broadway Wilson Pickett The Sound of Wilson Pickett
All Along The Watchtower Bob Dylan John Wesley Harding
Categories
geology mixes

granite mix 3

I still remember very well first hearing Rock Bottom back in 1974. My friend Ray Kent bought it before me and played it to me. He described it as soft rock. My favourite British rock/pop albums are The Madcap Laughs, Rock Bottom and Shooting At The Moon. What have all 3 got in common? The contribution of Robert Wyatt.

I like the song Alabama Bound so much that I wrote a sort of tribute song which I call Belerion Bound. I don’t play it too often, maybe I’m too much of a Puritan to want to emphasise it’s hedonistic agenda. Actually it’s called Don’t You Leave Me Here and is by Papa Harvey Hull & Long ‘Cleve’ Reed.

It’s hard to remember just what impact David Bowie‘s Station To Station had back in 1976. It takes me back to the sitting room of my friends Rod & Sheila Henderson in Hyde, Manchester. The still from The Man Who Fell To Earth on the cover seemed to hint at things that were extra-terrestrially incumbent. Actually the film came out earlier in the year, before I was living in Manchester. The film I associate with my short time there is another offering from that year, Taxi Driver. That’s something for another time. There is much to write about it seems.

Which leads me to the soundtrack of another 70s film, Roma. I didn’t get to see this film until 73 or 74 and I have a vague memory that I saw the end of the film (the motorbikes bombing around Rome) first as the previous screening hadn’t finished when I took my seat. It’s not a good idea to do that, although not too bad with a film like Roma.

I first saw John Cale perform on June 1st 1974. That’s easy to remember because the concert was recorded and came out on an Island Records album and that’s what they called it.

Sun Ra I think I saw twice, both times at The Venue by Victoria station. And in reference to the earlier paragraph, that was somewhere I also saw John Cale do a solo gig on his first solo tour and I saw Nico do a solo gig there once too.

Monk sadly I never saw. I’m working on a guitar solo version of Pannonica and have been doing for a while now. It’s going to take me a little longer before I contemplate playing it live, but one of these days.

Misterioso is another of my favourites. I’ve seen the Kronos Quartet a few times. The first album I bought with them on was Terry Riley‘s Cadenza On The Night Plain. There is much to listen to it seems.

Finally back to 25th December at Rod & Sheila’s in 1976. My best Christmas present was the box set of Keith Jarrett‘s Solo Concerts. I may have played one of the sides sometime that Christmas morning. Afterwards I left the triple album in its box on top of the TV set. It’s never a good idea to leave records on the top of the TV. Especially not on Christmas Day in 1976. Later that afternoon I found that the records had sort of changed shape and not much of the vinyl was left in a listenable state. So this recording of Side 4 of the record is from my 2nd copy of the album (although I’m afraid it has some vinyl defects near the end). I should point out that this last track is a couple of minutes over 20 minutes long.

here’s the mix

Granite Mix 3
Artist Title Album
Robert Wyatt Little Red Riding Hood Hits The Road Rock Bottom
Papa Harvey Hull & Long Cleve Reed Don’t You Leave Me Here The Songster Tradition
David Bowie Golden Years Station To Station
Nino Rota Ecclesiastical Fashion Show Roma
John Cale Baby You Know Sabotage
Sun Ra & His Outer Space Arkestra Rocket Number Nine The Singles
Thelonious Monk Quartet Straight, No Chaser Live At The It Club
Kronos Quartet Misterioso Monk Suite
Keith Jarrett Lausanne March 20th 1973 Part 1 Solo-Concerts

Thanks for listening and finally I would like to copy out the words of a poem by William Carlos Williams. I don’t know why exactly but the desire hit me a little bit earlier.

An Exercise

Sick as I am
confused in the head
I mean I have

endured this April
so far
visiting friends

returning home
late at night
I saw

a huge Negro
a dirty collar
about his

enormous neck
appeared to be
choking

him
I did not know
whether or not

he saw me though
he was sitting
directly

before me how
shall we
escape this modern

age
and learn
to breathe again