Categories
geology mixes music nonsense sea

Granite Mix 7

and now a granite mix that deals with my own work. this is my unveiling on this website of my new album which is called true v eye and will imminently be available on itunes and as a hard copy at my amazon store – see the buy stuff page for links. there are only 2 of the tracks from the new album featured on the mix along with a selection from other albums and some obscure places.

the music speaks for itself but it would be churlish not to write a bit about these tracks so here goes. desert ghost dance has nursery rhyme style dialogue and therefore acts as a pair with track 6. a famous german 20th century artist is referenced in the last verse. perplex is a pair with it too because it is also a dialogue of sorts. then there’s suspense which also hovers between heaven and earth, as do, for that matter the children of the sea. domes however merely fly beneath the starlit sky. i’ve already mentioned in my jar – a famous 20th century british writer is referenced in the 3rd verse.

my video for happy song is a shoddy affair but has a certain innocent sweetness in its demeanour which i hope makes up for that.

the track that i’ve called chasing the sun dates to a period when I was using a sampler to create the basics of my music. everything was a home recording and nothing was ever that well-finished but i’ve got a lot of interesting things that may never show the light of day. this one’s made it through though – for a while at least. It contains a sample from a track by sun ra called disco 2100. in the train was recorded in about 1982. at the recording session for the new album i re-recorded this track and my plan is to release both versions on some vinyl later this year. this is a re-mastered version of the 1982 track.

the words for v’nosnu are almost all from primo levi’s magnificent novel if not now when (english translation i’m afraid – an italian version would be good or maybe even a yiddish one). i’d just like to point out though that there is some art to it all the same – though mostly inspiration. in my book inspiration trumps artfulness. a cherry tree aka the cherry tree was somehow inspired and inter-connected with the music of the last track of the mix. I was still at school when I wrote the words which aren’t used in the music but which are

I planted a cherry tree
I watered it every day
in the summer I sat in its shade
one day a cherry appeared on my tree
one day a cherry appeared on my tree
it is for this that we live
it is for this that we live

here’s the mix

ca

Granite Mix 7
Artist Title Album
Neureille Desert Ghost Dance True V Eye
Neureille Perplex Amanogawa
Dry Rib Suspense Whose Last Trickle
Neureille Children Of The Sea Disparue
Robert Vasey Domes Unreleased
Neureille In My Jar Amanogawa
Neureille happy song (for dependable person) Disparue
Robert Vasey Chasing The Sun unreleased
as,hem,syrup In The Train Whose Last Trickle (remastered)
Neureille V’Nosnu True V Eye
Robert Vasey A Cherry Tree Unreleased
Categories
birds music

Band Names

One of the most difficult things about being in a band is finding a name for it. Since about 1980 I’ve been a benign despot in terms of presenting my own music and so I haven’t had to argue about it with anyone. And any bands I’ve been in where it wasn’t my music I was generally happy enough to go along with the consensus. In 1983 I started a new band and struck on the name Sinking Sun King. I felt happy about the degree of wordplay and sub-text involved although it did seem to suggest lofty aspirations. If we had produced an album it was to be called Delusions of Grandeur to play upon that. The album never happened although quite a lot of material was recorded. None of them have been released although a couple of the best were considered for Whose Last Trickle.

I have put one of the tracks up on YouTube. It’s already up on the Music page on this website, but I created a rudimentary film to accompany it. It’s Wound which is supposed to be pronounced to rhyme with round or sound or even drowned. There’s an as, hem, syrup version of the song which is on WLT.

Having considered a couple of the band names that my benign despot approach to nomenclature has produced you may be thinking that I could have benefited from a bit of 3rd party argumentation. A couple of days ago, after several pints of ale, I decided to come up with a few new band names. Please feel free to help yourself to any of them if you’re looking for a band name. I don’t suppose I’ll use any of them. Probably some of them are already being used – I haven’t checked.

muppet rillettes
grog
pertinance
a good scrop
ting thong
drone scar bite
virtuel askance
so bad far
i drill
luma fanvomita
espru

Categories
coathanger trail insects music

coathanger

I noticed the other day that some nice person had put up a comment about a song of mine on Itunes which is called Coathanger. They say it would be a good song in an 80s Italian zombie film. I’ve just added a page to this blog with links to buying various songs of mine on Itunes including this one, which I’m linking to here. The song features myself on guitar and vocals, Paul Wigens on drums, Jeff Spencer on bass and I think the backing vocals are Jo Swan and Jeff.

Coathanger

Actually I prefer the demo version of the track which I recorded in October 2007 shortly after I’d written the song.

Here it is and below is what I wrote about it at the time.

But first – if you have any plans of making an Italian zombie film – please get in touch.

Coathanger Demo

I was working on the music for a possible song a few days ago and when I’d finished it and played around it with it a few times I realised that somehow I had gone back 30 years or so to about 1978 and written a Dry Rib song of that vintage. So then I had the idea to connect the words for the song with Dry Rib and make it in effect a song dedicated to the band.

There are a lot of obscure references to old songs and sometimes their lyrics. It’s a bit of a cryptic puzzle. It’s called Coathanger and I will explain that because I don’t think anyone else will know what that is about. In the early days of the band there was a song we did of mine which was called Cancer. The music was quite reasonable and the lyrics owed a lot to Vintage Violence/Paris 1919-era John Cale. For example,

And I, my heart, was with those gallant crewmen
As was the heart of every mother’s son
Yea and daughter too, I swear it, in the town

But right at the end of the song there was a repeated refrain :

And you aren’t anything other than a coathanger

It was probably that bit that led to the song being dropped so I think it is absolutely fitting now that I should resurrect its essence as a chorus and title.

The music put me in mind of Syd especially the instrumental link section between the end of the chorus and the start of the next verse, so I also put in a tribute to him with the snippets of my voice from a very old cassette tape of a rehearsal.

That’s the end of the bit from 2007 but I’d just like to add that the tribute to Syd Barrett in the other version of the song is the guitar solo at the end.

Categories
literature music

Men Of War

This is the 2nd in the series of repeated songs. The 1st entry on this subject is here. This song is called Men of War. The 1st version which is on Whose Last Trickle was recorded close to the writing of the song in about 1980. I don’t remember where, why and how I wrote it. I embraced surrealism from an early age. The subversion of reality and breaking through into the world of dream seemed more exciting than anything else in the world of art, film and literature back in the 60s when I was a teenager. I wrote surrealist poems at first then maybe some songs but not all the songs. It was something I could do, but I wanted to try other things as well. Often those other songs might have an element of surrealism lurking there all the same. But it was in 1979 that I deliberately decided to write a song that was purely surrealistic and it was called Squeaky Macaws. I’ve got a couple of demo recordings of this track that didn’t make it on to Whose Last Trickle. I’ll load them up sometime. Men of War moved onto another level. For a start it was half in French, which is probably the most of I’ve ever made of the degree I have in the language. But also there’s a nautical theme.

Here’s the first version. It was recorded in Endell Street, Covent Garden, London. It features me on guitar and vocals, Lindsay Lancaster on bass guitar, Ray Kent on drums. It’s the recording of a live performance and consequently is a bit rough. It wasn’t meant to be for general consumption but that’s what’s happened.

1980 men of war

I wanted to re-record this song, because I like it and although the earlier recording has a certain naive charm (if you like that sort of thing) and the right spirit, it wasn’t a brilliant recording of the song technically. This 2nd version was recorded at J&J Studio , Easton, Bristol in late 2007. I play guitar and sing, Paul Wigens on drums, Jeff Spencer on bass. I overdubbed a lead guitar part and also doubled up on the vocals, but apart from that, the guitar, drums and bass are all played live, though Jeff probably touched up his bass part as he’d never played any of the tracks before.

2007 men of war

A little bit more about surrealism. Firstly a quotation from Walter Benjamin,

…it is as magical experiments with words, not as artistic dabbling, that we must understand the passionate phonetic and graphical transformational games that have run through the whole literature of the avant-garde for the past fifteen years, whether it is called Futurism, Dadaism, or Surrealism.

Actually that’s probably it for now. Except here’s 2 youtube links for anyone interested. Firstly one of the seminal works of the movement, produced in 1929, 10 years after the setting up of the surrealist group and apparently as a means to join the group on the behalf of its creators, Buñuel and Dali. Funnily enough that’s the same year Benjamin’s essay on Surrealism from which the quotation above comes was first published.

and finally an episode of an old children’s tv show called Buccaneers from the 60s starring Robert Shaw which gave me some early sailing craft images back in the day

Categories
birds micromuseum stamps

bird stamps

well we’ve had animal stamps and so I suppose it had to be bird ones next. I’ve written about birds before somewhere because I’ve got a lot of bird songs. anyway here are the stamps in no particular order.

let’s start with a bird of prey

an owl – maybe that was my first bird song. the version of the song that can be found below is on the messthetics release whose last trickle

on the nineteenth of july 1965 the penny was replaced by the pesawa as a small unit of currency in ghana

I find the stylised image of this bird to be refreshing after the first three naturalised pictures. islamic artists are good at that.

finally a light-mantled albatross. in the southern oceans you can watch this sooty-coloured seabird sweep through the sky. bye bye everybody, bye bye.

an owl