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geology mixes music

1967 Part 2

so here is my 1967 granite mix. actually it’s the 1st one cos i’m planning a 2nd one. this one contains tracks that largely fit into the rock/pop bracket that could at least potentially have charted and most of them did. i’ve tried to make it a varied mix. some of the tracks i heard at the time (i was 13 that year) but there’s quite a few which i didn’t get to hear until later on. a couple of them i’d never heard until i thought of putting them on the mix.

i mentioned in the last post that musically 1967 was a crucial year for me. let’s face it i could pick out any year around then and say the same thing and put together many more mixes. the crucial thing i’m talking about is what’s emphasised in this mix. it was the year when afro-american artists came to the forefront. these artists had been around for a while especially if you’d been into early rock’n’roll or been a blues fanatic. the artists that had taken centre stage in the british music scene had come out of those people but they had then taken over and dominated and to be fair in their turn influenced the afro-american artists. but in 1967 things turned around and it seemed quite sudden that there was music that you could dance to without looking stupid. not that i did then. well if i did i don’t remember it.

i know that sergeant pepper’s and the previous year’s pet sounds were massively influential and i was certainly still listening to some british and white american bands but they didn’t get to me like the music coming out from detroit, memphis, muscle shoals etc

so anyway the 2nd mix will be any type of music that was released in 1967 and probably won’t have much that could have charted in it.

i’ll write a bit as usual with added links about the tracks on the mix. the setlist is below all this text and that’s where you’ll find the button that plays the music.

actually i haven’t got a lot to say about most of these artists. there’s not really that much point about re-hashing information gleaned from the web and i haven’t got a vast library of literature on the subject and the library’s been closed for weeks now. but i’ve gathered together a number of clips where i could of archive footage from 1967 or around then. here’s the one for booker t and the m.g.’s

i wasn’t aware at the time of the late sixties of the electric prunes but i’ve put them in the mix as something a bit different and they were ground-breaking in their own way.

my brother or my sister (possibly both) had a nina simone album back around this time so she was definitely one of the artists that i’m talking about above.

the incredible string band were more in my life a few years after in the early 70s. i can’t say i was ever that much into them but most people i knew then who were trying to play music seemed to be imitating them and could play many of their songs. i never learnt any of them but often played along to other people playing them.

and it was a few years after the late sixties that i first started listening to james brown. i knew the name from the temptations song sweet soul music where he was denoted as the king of them all. it always seemed strange to me that he was the king and yet his music wasn’t that widely heard. he didn’t actually get into the uk top ten until 1986 (and that was the only time he did) although he did get to number 13 in 1966 but i was only 12 and i missed it.

and similarly i was unaware of the velvet underground until the early 70s.

but tramp was one of those songs that made me think about things back then. there had been male/female duo songs before from artists like sonny & cher but this was different. it was like real life instead of some fantasy bullshit. and it swung. sorry no clip for carla thomas only otis.

back in 1967 frank sinatra’s music wasn’t anything that particularly interested me but i could feel its strength. strangers in the night had been a huge hit in 1966. i can’t recall hearing any of the album with jobim at the time but later i came under jobim’s influence like so many others.

if i was to choose a favourite soul artist from that era it would have to be aretha.

i learnt to play chapter 22 last year. i’ve always got to remember to start it slow enough. you can play it a bit quicker but then the bass riff at the end of each verse is harder to get right. ufo?

i’m sure that if samuel johnson had been alive in the late 1960s he would have said that if a person was tired of sly and the family stone then they were tired of life. but maybe bobbie gentry would have been more his thing.

maybe i should have saved the ivor cutler track for the next mix. the beatles’ magical mystery tour was broadcast on tv in december 1967 with ivor featuring as buster bloodvessel, the bus conductor. you probably already know that.

7 rooms of gloom by the four tops was another one of those songs that seemed to open things up.

you took the dream i had for us and turned that dream into dust i watch a phone that never rings i watch a door that never rings

i must admit it never occurred to me that maybe 7 rooms was a lot of rooms for a couple. maybe there were kids too. they’re not mentioned in the lyrics.

one rainy wish was released as the b side to up from the skies. that was the only single to come from the jimi hendrix experience’s 1967 album. the next single they released was a cover of the song that closes this mix.

according to wikipedia wilson pickett’s version of funky broadway was the first charted single with the word funky in the title.

dylan has written that when he performs all along the watchtower he feels that although it’s his own song he feels like it’s a tribute to hendrix.

Granite Mix 20
title artist album
Hip Hug-Her Booker T & The M.G.’s Hip Hug-Her
Wind-Up Toys The Electric Prunes Underground
Go To Hell Nina Simone Silk & Soul
Way Back in the 1960s The Incredible String Band The 5000 Spirits or the Layers of the Onion
Bring It Up James Brown & The Famous Flames James Brown Sings Raw Soul
All Tomorrow’s Parties The Velvet Underground & Nico The Velvet Underground & Nico
Tramp Otis Redding & Carla Thomas King & Queen
Dindi Frank Sinatra & Antonio Carlos Jobim Francis Albert Sinatra & Antonio Carlos Jobim
Baby, I Love You Aretha Franklin Aretha Arrives
Chapter 24 Pink Floyd The Piper at the Gates of Dawn
Bad Risk Sly & The Family Stone A Whole New Thing
Shoplifters Ivor Cutler Trio Ludo
7 Rooms of Gloom Four Tops Reach Out
One Rainy Wish The Jimi Hendrix Experience Axis Bold As Love
Funky Broadway Wilson Pickett The Sound of Wilson Pickett
All Along The Watchtower Bob Dylan John Wesley Harding
Categories
mixes music

granite mix sixteenth

And yet another mix of music from my collection which grows and grows. I selected a few tunes using Spotify the other night when I was round at a friend’s house which I’d never done before. Easy enough to find an artist then for simplicity’s sake I pressed shuffle play. It seemed to me that was a crap way of creating a mix. Without any knowledge the results soon debase to tedium. That’s why I have no interest in investing in a streaming service. As far as I’m concerned you’re far better in knowing and understanding your own collection. That’s not a rant just an observation.

Granite Mix 16
Artist Title Album
Echoes of Zion A Charge To Keep I Have Get On Board Little Children
Ravi Shankar Fire Night Improvisations
Bob Dylan Clothes Line Saga The Basement Tapes
Gato Barbieri El Dia Que Me Quieras Fénix
Back Door Askin’ The Way Back Door
Aretha Franklin Respect I Never Loved A Man The Way I Love You
John Surman Three Aspects A Biography of the Rev. Absalom Dawe
Michael Mantler When I Run Silence
Yochanan Hot Skillet Mama Sun Ra – The Singles
Geoffrey Toye The Haunted Ballroom Miniatures (British Light Music)
Kevin Ayers Eleanor’s Cake Which Ate Her Joy of a Toy
The Velvet Underground Guess I’m Falling In Love Live at the Gymnasium 1967
Stan Getz O Morro Nao Tem Vez Jazz Samba Encore!

Echoes of Zion a gospel quartet have been going since 1930. No upcoming events but they did a gig in October at Zion Grove Baptist Church in Atlanta.

I once sat a couple of rows behind Ravi Shankar at one of his daughter’s gigs. My first exposure to his music was probably his soundtrack to Jonathan Miller’s TV version of Alice in Wonderland in 1966 which was probably responsible for fostering a love of Indian classical music in me.

I’m not familiar with Bobbie Gentry’s 1967 hit song Ode To Billie Joe but after all you can enjoy Dylan & The Band’s song just for its own quirky calm inanities.

Gato Barbieri here in his usual passionate style swoops down with a version of Carlos Gardel’s eponymous song from his 1935 film.

In the summer of 1972 friends and I would range out to the North Yorkshire Moors to a lonely pub called the Lion on Blakey Ridge to see a band play in a packed bar. It was a classic case of being in the right place at the right time and listening to tracks like Askin’ The Way which they used play then brings it all back to me.

I love a lot of female singers but Aretha is the greatest.

The first John Surman album I bought was Westering Home which came out on a low-priced Island LP series, not brilliant quality vinyl but it still plays ok now I think – there was a distinctive black inside sleeve. He was already using overdubbing techniques then which were further developed during the S.O.S. (Skidmore, Osborne, Surman) days. This country it seems to me has never properly recognised one of its greatest musicians.

I’m very fond of the 3 words and music albums that Michael Mantler did. I think he did at least another one but I don’t have it and maybe it doesn’t exist, but the 3 I’m thinking of are No Answer, The Hapless Child and Silence from which this track comes. The last one is my favourite.

In the sleeve notes to the double CD of Sun Ra – The Singles there is the following description of Yochanan by blues researcher Dave Whiteis

He had an elastic face with big bulging eyes. He would contort his face into odd expressions and roll his eyes. He was very comical, very creative. Yochanan wore loud colored clothes – bright reds and yellows, or sun colors. He wore a turban and wore sandals all year round even when it was snowing. He never wore an overcoat no matter what the temperature. Never needed it he said because he was ‘the man from the sun’.

Geoffrey Toye’s ballet music is the oldest piece in the mix dating back to the thirties when it was produced with contributions from the legendary figures of Ninette de Valois and Robert Helpmann. It also goes the furthest back for me because this was a piece of music I heard frequently in my childhood, so when I rediscovered it when I bought a secondhand album called English Music some twenty or thirty years later it evoked an involuntary memory.

I first heard this song by Kevin Ayers on the Harvest Records sampler double album – Picnic – A Breath of Fresh Air. In my opinion it’s the best song on that album along with Syd Barrett’s Terrapin, but I would think that wouldn’t I.

I only heard for the first time the live recording of The Velvet Underground from 1967 last year, but all the tracks are great and it should be much better known. I particularly like the instrumental version of The Gift but didn’t choose that for this mix because… well probably because I often choose tracks by just randomly keying in some letters as a search string.

But I think I decided specifically to end the set with Stan Getz for some reason. Maybe not the nicest of guys by most accounts but he was a great musician and a great interpreter of the work of Jobim/Moraes.

granite 16

Categories
geology mixes music wells

Granite mix 4

Back in 1968 Aretha Franklin brought out an album which was called Aretha Now. I was 14 back then, my brother or my sister who were older than me had the album which contains 10 songs including Think; Say A Little Prayer; You Send Me and the one in this mix See Saw. I remember, I remember, I remember and I’m speechless.

Twenty-two years earlier in 1946 the BBC adapted Shakespeare’s Love’s Labours Lost for radio and Gerald Finzi wrote the incidental music. Later he developed the music into an orchestral suite.

Over the last year or so I’ve been making some arrangements of a few instrumental pieces for solo guitar. One of the first ones I did was a setting of My Foolish Heart as played by Bill Evans. One day I hope to arrange Waltz For Debby for 2 guitars. There is much to…

Córdoba.
Lejana y sola.

Paco Peña is one of my favourite guitarists. This recording comes from a Radio 3 programme which I think was broadcast sometime in the 90s. I don’t know the details of what the piece is, but it is, of course, beautiful.

And I’m pretty sure this is Nicanor Zabaleta although I don’t seem to have the cd any more and can’t find anything obvious on amazon (no link I’ll let you try that one yourself). Somewhere I’ve got some radio recording of a Gillian Tingay recital which I can’t seem to lay my hands on. It was easier when it was all vinyl. Still they did seem to go mysteriously missing even then.

I have written before about the 1st time I saw Kevin Ayers & The Whole World back in 1971, but I’m not going to trot it out right now, maybe later sometime. That was the year that whatevershebringswesing came out. I remember still hearing some of it first on John Peel‘s Sounds of the Seventies. A bit disappointed at first. But Song From The Bottom Of A Well in itself would justify the whole thing and there’s a couple of other classics.

Kevin was “born 16 August 1944 in Herne Bay, Kent” according to Wikipedia. According to the same source John Douglas Surman was born exactly 2 weeks later in Tavistock, Devon. Well that’s strange isn’t it, perhaps not. I think John Douglas is the first repeat I’ve made in this Granite series but as far as I am concerned he is much under-appreciated and is one of the finest British musical creators of the last 50 years.

John Lee Hooker was born in 1917, the same year as my father. In fact 99 days after my father’s birthday. 9 + 9 is 18 and if you subtract 1 from 18 you get 17. This is starting to get scary.

I also don’t have much to say about Gulzar and his film, Lekin because I don’t know much about him, but I always loved this Bollywood stuff after hearing it in Brick Lane curry houses in the late 70s and early 80s. Here’s a link for some incredible excerpt from some film with music by Hridaynath Mangeshkar and Gulzar.

And also I heartily recommend this film of John Fahey playing in 1969.

And for the end we have Nico, well her son’s on vocals. I love the presence of his breath intakes in between the song’s verses, for me that’s duende.

here’s the mix

Granite Mix 4
Artist Title Album
Aretha Franklin See Saw Aretha Now
Gerald Finzi Music for Love’s Labour’s Lost: Alegretto grazioso Finzi – A Centenary Collection
Bill Evans Trio My Foolish Heart Sunday at the Village Vanguard
Paco Peña Unknown Radio Broadcast
Salzedo Chanson dans la Nuit Unidentified Nicanor Zabaleta album
Kevin Ayers & The Whole World Song From The Bottom Of A Well whatevershebringswesing
John Surman The Snooper Withholding Pattern
John Lee Hooker Blues Before Sunrise Unknown JLH Compilation
Gulzar & Hridaynath Mangeshkar Kesariya Balaam Gulzar’s Lekin
John Fahey Unknown Tango I Remember Blind Joe Death
Nico Le Petit Chevalier Desertshore