Categories
coathanger trail music

coathanger trail part 4

the 4 year hiatus in this on-going series is a result of the dilemma i had with dealing with the 2 songs written by andrew goodwin that were mentioned in my coathanger song. i had planned to try and create versions of them both. that is clues and belgrade ’88 which are referenced in the line

searching for clues
in belgrade

but when andrew tragically died in a fire back in september 2013 i lost the momentum. i wanted to carry on with the project but somehow i just couldn’t do it. i think the only way i could record those would be to do them sometime with mike mulholland and bernie martin we ought to do it maybe they’ve already done it without me i better ring mike sometime and see how he’s getting on.

meanwhile i’ve decided to leave out andrew’s songs and carry on with the next song in the trail which is referenced in the line

finding old gardens
old graveyards too

and this song is called culture and i wrote it i think in 1977. i just listened to the song on the whose last trickle album (track 11) and i think i prefer the new version which i’ve just done – the vocal doesn’t really sound too good on the 1978 recorded dry rib version. in mitigation as i’ve said before it was the first time i’d ever been in a recording studio. i’ll include the track too so you can see what i mean.

here’s the new version

Categories
fire trees

In Memory Of Andrew Goodwin Part 1

I am planning a few posts to commemorate the life of my old friend Andrew Goodwin who tragically died as a result of a fire in his apartment in Berkeley, California a couple of weeks ago. Andrew’s fiancée, Sandy has created an online memorial.

For now I’m just going to post a photo from our first gig at the Oranges & Lemons in Oxford sometime in 1978.

andrew1

And also a home recording of a song which I wrote back in 2008 on the night I heard of the death of another friend of mine. The feeling and some of the words (particularly the last line) express some of my emotions related to Andrew’s death.

I Remember

Categories
geology mixes music nonsense sea

Granite Mix 7

and now a granite mix that deals with my own work. this is my unveiling on this website of my new album which is called true v eye and will imminently be available on itunes and as a hard copy at my amazon store – see the buy stuff page for links. there are only 2 of the tracks from the new album featured on the mix along with a selection from other albums and some obscure places.

the music speaks for itself but it would be churlish not to write a bit about these tracks so here goes. desert ghost dance has nursery rhyme style dialogue and therefore acts as a pair with track 6. a famous german 20th century artist is referenced in the last verse. perplex is a pair with it too because it is also a dialogue of sorts. then there’s suspense which also hovers between heaven and earth, as do, for that matter the children of the sea. domes however merely fly beneath the starlit sky. i’ve already mentioned in my jar – a famous 20th century british writer is referenced in the 3rd verse.

my video for happy song is a shoddy affair but has a certain innocent sweetness in its demeanour which i hope makes up for that.

the track that i’ve called chasing the sun dates to a period when I was using a sampler to create the basics of my music. everything was a home recording and nothing was ever that well-finished but i’ve got a lot of interesting things that may never show the light of day. this one’s made it through though – for a while at least. It contains a sample from a track by sun ra called disco 2100. in the train was recorded in about 1982. at the recording session for the new album i re-recorded this track and my plan is to release both versions on some vinyl later this year. this is a re-mastered version of the 1982 track.

the words for v’nosnu are almost all from primo levi’s magnificent novel if not now when (english translation i’m afraid – an italian version would be good or maybe even a yiddish one). i’d just like to point out though that there is some art to it all the same – though mostly inspiration. in my book inspiration trumps artfulness. a cherry tree aka the cherry tree was somehow inspired and inter-connected with the music of the last track of the mix. I was still at school when I wrote the words which aren’t used in the music but which are

I planted a cherry tree
I watered it every day
in the summer I sat in its shade
one day a cherry appeared on my tree
one day a cherry appeared on my tree
it is for this that we live
it is for this that we live

here’s the mix

ca

Granite Mix 7
Artist Title Album
Neureille Desert Ghost Dance True V Eye
Neureille Perplex Amanogawa
Dry Rib Suspense Whose Last Trickle
Neureille Children Of The Sea Disparue
Robert Vasey Domes Unreleased
Neureille In My Jar Amanogawa
Neureille happy song (for dependable person) Disparue
Robert Vasey Chasing The Sun unreleased
as,hem,syrup In The Train Whose Last Trickle (remastered)
Neureille V’Nosnu True V Eye
Robert Vasey A Cherry Tree Unreleased
Categories
coathanger trail

Coathanger Trail 2

I don’t really care whether people think what I do is good or not. I know what I’ve done and that’s good enough for me.

This is the 2nd coathanger trail post and it covers the words in northern lands which is the 2nd line of the song.

This is the demo version of Alaska recorded in 1978. It’s a bit rough having come off an old cassette tape copy. It’s never been released. But I think it’s worth a listen. I prefer the vocals on the later ep version which is here. I’m pretty sure that this demo was recorded with an amp, maybe even my own Orange combo, more likely a Fender amp that the studio had, but the later version I think was a direct inject affair which I agreed to at the time because I didn’t know any better.

Basically the guitar is a bit more real. Photo above is how I looked playing that guitar. Actually that one was stolen from my car and the one I have now is different but from 1979 so is still vintage usa luckily.

The way Mike and Andrew play is also very real. That was a good band though unfortunately bound to implode.

I’m happy with my current band though. On Friday night that will be myself, Tom Ranby on saxophone (probably alto); Laura Lambell vocals; Rosalinda Moreno-Parra  vocals. Basically if we had done back in 1979 what we are doing now we would have been absolutely astronomic but sadly it doesn’t work that way.

Still there is a rich vein, a steady seam. I’ll put down my trumpet for now.

Here’s the demo version of Alaska

Categories
birds music

Goodwin’s Dry Rib Recipes With Added Quail

During the year my old friend Andrew Goodwin has been creating a Dry Rib blog which has featured some of my songs along with much else. When Andrew and Mike Mulholland and I used to play together in said band something very powerful was created which sadly we never really managed to replicate in the recording studio although the 10 tracks that there are go some way to recording the phenomenon if I may call it that.

Anyway Andrew is a brilliant drummer and he writes pretty well too so I would recommend checking out his blog. He’s been loading some of the songs we recorded together plus others done by the later version of Dry Rib without me in it. I think he’s reached the limit of current material there but the last thing that he uploaded was a song called Quail Seed which is on the Clockwork Records’ Dry Season ep (also 1st track on the Messthetics cd Whose Last Trickle). Some of the following information has already appeared on a blog I wrote on the Dry Rib myspace page. (On the subject of myspace I was just talking about it with some other musicians earlier on this evening. Not sure quite how something that was useful was turned so quickly into something that was useless.) But there are a couple of new nuggets floating down the stream.

  • the original title when the song was first written was The Chilean Ambassador
  • it was written in 1977 in a bedsit at 19 Oglander Road, Peckham, London
  • probably in the autumn because I can remember where I was in the room when I wrote the song – near the gas fire
  • the eventual title of the song is taken from the title of a short story by Saki
  • there is no real connection between the short story and the song
  • my favourite rock guitarist is Chris Spedding and I’d like to dedicate the solo to him
  • initially there were 4 verses and 4 choruses
  • it was Andrew’s idea to run the 1st 2 verses together and dispense with chorus 1
  • the missing chorus went like this

no bells at dawn shall clatter bright
no flares shall pierce the sky at night
the petrol pumps have all run dry
and the ambassador of chile has been shot
in the eye

…and for those that can’t be bothered to look any further for the track in question – here it is.

Quail Seed