granite 13 is a mix i constructed some time ago late at night in a lively pensive mood. probably i don’t really remember. some of the artists have been on other granite mixes but that’s only to be expected. graphs show patterns and patterns evolve into branched out structures of growth replete with inner and outer significance. trellises draw stems and tendrils favour south-facing surfaces.
lotte lenya, best singer of all bond villains is my favourite interpreter of her husband’s music. sorry this track isn’t great quality it came tortuously originally from a radio broadcast – bbc radio 3 that would be.
nancy wilson i have talked about before and not sure what else i can say except that if you’re going to look at only one of the youtube links that i’ve embedded in this post then i would particularly recommend hers
bonnie prince billy i find a refreshing character i’ve chosen a video rather than a live perfomance for the link because i somehow think he works especially well with film.
ron goodwin wrote the music for seventy-odd films including four miss marple features with margaret rutherford in the lead role. i can’t find any full versions of those online but here’s a trailer.
balkan music has got a strong thing going with it’s mixture of asian and european traditions and this albanian unit is a good example of what i’m talking about. what am i talking about?
my clan done ran from japan to atlanta with stamina
slingers and gamblers and gram handlers
tical light the owl cigar let’s get steamed
infra-red guard your beam
i’m not an expert on the blues but for me john lee hooker was the guy who took it a bit beyond and spaced it out by reducing the number of chords which is always good for me though i admit sometimes i fancy putting a few in.
alfred schnittke is another composer/musician that i have talked about before and not sure what else to say. how about – my favourite composer? at the moment anyway.
baden powell – probably talked about him too (when i say talked i mean written). and the link is the second best one to watch.
here’s the mix
granite mix 13
i can’t stop loving you
today, tomorrow and forever
bonnie prince billy
the lion lair
ease down the road
miss marple theme
film music of ron goodwin
unknown albanian musicians
unknown albanian song
only built 4 cuban linx
john lee hooker
crawlin’ king snake
the best of john lee hooker
collected songs where every verse is filled with grief
I think I mentioned before that this mix was to be a mix of things I’ve recorded from the radio over the years. It’s not something I do any more I can’t imagine spending the time. But I used to starting in the late 60s. At first it was to quarter-inch reel to reel. Then it was onto cassette which was what I recorded most of my radio recordings. Later I started to use mini-disc but by then I’d already slowed down in my recording habits.
The quality of the tracks is not brilliant in that they were recorded off the radio mainly onto cassette then in some cases kept for many years then digitised so there’s some crackle a bit of buzz and probably cases where there’s a subtle pitch change. I have mainly tried to make them live recordings in the radio studio or out at a gig but they may not all be – well one’s part of a dj set, that’s sort of live but there’s a couple I’m not sure about.
Thomas Morley was organist at St Paul’s Cathedral and composed many madrigals. He almost certainly knew Shakespeare as they lived nearby and London wasn’t that big back then apparently. He certainly wrote music for one of the playwright’s songs in a famous play. I don’t know who wrote the words for this song they are good.
Sleep, slumb’ring eyes; give rest unto my cares,
My cares, the infants of my troubled brain;
My cares, surpris’d with black despair,
Doth the assertion of my hopes restrain.
Sleep, then, my eyes, O sleep and take your rest,
To banish sorrow from a free born breast.
My freeborn breast, born free to sorrow’s smart,
Brought in subjection by my wand’ring eye,
Whose trait’rous sight conceiv’d that to my heart
For which I wail, I sob, I sigh, I die.
Sleep, then, my eyes, disturb’d of quiet rest,
To banish sorrow from my captive breast.
My captive breast, stung by these glist’ring stars,
These glist’ring stars, the beauty of the sky,
That bright black sky which doth the sunbeams bar
From her sweet comfort on my heart’s sad eye.
Wake, then, my eyes, true partners of unrest,
For sorrow still must harbour in my breast.
From a live concert of Paco Peña one of my favourite guitarists accompanied by another guitarist whose name I don’t know unfortunately. And I don’t know enough to say what type of piece this is siguiriyas or what have you.
Next is The Chemical Brothers well sort of it’s more like The Beatles really but it was a great moment when I heard this Essential Mix set one Saturday night in about 1996. Really you need to have more context than I’ve given here.
I was fortunate to see Paco Peña roughly around the time of the earlier recording and that is also true of this track by Oregon. I’m sure that the set on the recording is pretty much the same set that they did when I saw them in December 1990 at Hope Chapel.
This song by The Fall is taken from a radio session on the programme Mixing It which must have been sometime in 2005. Midnight In Aspen is the story of a dying Hunter S Thompson. I’ve got a better Fall radio session from an 80s John Peel programme but later on I’m using another Peel session. Anyway this is better sound quality.
I can’t remember when I taped this concert by Tadao Sawai but he died in 1997 so it must have been before then. The wikipedia page I have linked to only lists 1 album to his name which can’t be right. There are fortunately 2 albums of his on Itunes and for slightly less than 15 quid you can buy them both. Actually I might just do that.
From a Lou Reed gig broadcast on the radio in about 199? this is a version of A Dream which has Lou doing the vocals rather than John Cale who did them on the album (Songs For Drella) and the filmed performance of the album. I believe the words are taken from Warhol‘s diaries which I haven’t read but I will buy the book one day – gee wouldn’t that be great?
The Schnittke has a very quiet beginning – it’s a short piece and it’s very beautiful in a crystalline way. Without having listened to a great deal of his music I admire him greatly and I have got the underlying philosophy of his work and in a way shamelessly appropriated it myself. I can’t tell for sure whether I’ve included a full work here or just an excerpt of one, but I don’t see it matters and I hope he would agree with me
The oldest recording is this John Peel session which I did not record when it was first aired in about 1971 but later in the 80s when it was repeated. This session was issued on vinyl I believe in the Peel Sessions series and later there was a cd. Both formats are quite rare now. Syd‘s Two Of A Kind was only known to be recorded on this show – you can also find this on a compilation.
Finally a 1991 live concert recorded at the Royal Festival Hall. This was part 1 of the encore. Keith Jarrett is a very serious man and musician.