Categories
geology mixes music nonsense sea

Granite Mix 7

and now a granite mix that deals with my own work. this is my unveiling on this website of my new album which is called true v eye and will imminently be available on itunes and as a hard copy at my amazon store – see the buy stuff page for links. there are only 2 of the tracks from the new album featured on the mix along with a selection from other albums and some obscure places.

the music speaks for itself but it would be churlish not to write a bit about these tracks so here goes. desert ghost dance has nursery rhyme style dialogue and therefore acts as a pair with track 6. a famous german 20th century artist is referenced in the last verse. perplex is a pair with it too because it is also a dialogue of sorts. then there’s suspense which also hovers between heaven and earth, as do, for that matter the children of the sea. domes however merely fly beneath the starlit sky. i’ve already mentioned in my jar – a famous 20th century british writer is referenced in the 3rd verse.

my video for happy song is a shoddy affair but has a certain innocent sweetness in its demeanour which i hope makes up for that.

the track that i’ve called chasing the sun dates to a period when I was using a sampler to create the basics of my music. everything was a home recording and nothing was ever that well-finished but i’ve got a lot of interesting things that may never show the light of day. this one’s made it through though – for a while at least. It contains a sample from a track by sun ra called disco 2100. in the train was recorded in about 1982. at the recording session for the new album i re-recorded this track and my plan is to release both versions on some vinyl later this year. this is a re-mastered version of the 1982 track.

the words for v’nosnu are almost all from primo levi’s magnificent novel if not now when (english translation i’m afraid – an italian version would be good or maybe even a yiddish one). i’d just like to point out though that there is some art to it all the same – though mostly inspiration. in my book inspiration trumps artfulness. a cherry tree aka the cherry tree was somehow inspired and inter-connected with the music of the last track of the mix. I was still at school when I wrote the words which aren’t used in the music but which are

I planted a cherry tree
I watered it every day
in the summer I sat in its shade
one day a cherry appeared on my tree
one day a cherry appeared on my tree
it is for this that we live
it is for this that we live

here’s the mix

ca

Granite Mix 7
Artist Title Album
Neureille Desert Ghost Dance True V Eye
Neureille Perplex Amanogawa
Dry Rib Suspense Whose Last Trickle
Neureille Children Of The Sea Disparue
Robert Vasey Domes Unreleased
Neureille In My Jar Amanogawa
Neureille happy song (for dependable person) Disparue
Robert Vasey Chasing The Sun unreleased
as,hem,syrup In The Train Whose Last Trickle (remastered)
Neureille V’Nosnu True V Eye
Robert Vasey A Cherry Tree Unreleased
Categories
insects prose sea

Asthma

Here’s another thing I wrote years ago approximately 1980 but the illustrations were done last month.

Asthma

Reclining in cars – the odd word stuck into the cream-pie of conversation – while outside – bloated fish swim belly-upwards in opaque canals.

asthma1

asthma2

Waiting, tapping on the roof, holy terrors grip slowly round, their bulbous eyes crane inquiringly – someone’s Boss imitates – pint on bar – insane glare – arms pounce out – slowly picks up beer – frothing at the mouth.

asthma4

Perfume in cold tightened corridors, dripping downwards, forming pools, crystalling, lit up by cigar-lighters, fumbled and then dropped, burning through the floor and down through the world, the underworld, out the other side, a long way down.

asthma3

Seeing hearts in stores, under garages, ornamental gardens, descending and ascending – even without seeing – bad breed, bad blood.

Whistling at windows and shunting in cars, little self-conscious taps of the feet, dripping half-rhythms trickling aromas no nose can smell.

Dream-tornados wheeze through run-down wooden houses.

asthma6

Rivers like grins, crescent or twisted, sticking into bays, then starting out again.

asthma5

Categories
coathanger trail music songwriting

coathanger trail 3

The 3rd line of the song Coathanger is

the paintings are northern too

which is a reference to a song I wrote in 1977 or 1978 which was called Northern Painting. I gave the song that title as a reference to the few months I spent living in Manchester in late 1976 early 1977 where my best friends were Rod and Sheila Henderson and Rod was a painter – a northern painter. Apart from the title the words have no direct reference to any of Rod’s paintings or to anything that might have happened to me in Manchester during that time and the only link that I can possibly think of was that I was emphasising the use of colour and imagery in the lyric content. It’s a random anarchic jumble which I’m not ashamed of but I did try to tighten that sort of thing up in future songs. In the 2nd verse there’s a line

knew and was forgotten

which I decided to repeat 4 times – not that I couldn’t have thought up something different but because I thought the repetition would be amusing. I might shorten the repetition to 3 times in this recording.

The song was part of the early set we worked on with Dry Rib and its earlier incarnations but I’m not sure if we ever performed it. I think it was dropped before our 1st gig. When I realised that this was a song mentioned in Coathanger and that to complete the Coathanger Trail properly I was going to have to deal with this I saw that this was a problem. I hadn’t played the song since the late 70s. I had forgotten the music and I was not sure whether I had a recording. I thought I had an old recording of a rehearsal from 1977 which might possibly contain a dire version of the song. I looked all over but couldn’t find the cassette. I still had the lyrics and the morning after giving up on finding the cassette I took out the words and was prepared to write some new chords to go with them. I had a rough memory of how the chords to the verse went and lo and behold it just came together and I think pretty much that I managed to remember the song as it originally was.

It would have sounded very different had Dry Rib continued with it back then and recorded a version, but in the same way I couldn’t record one of the old songs now and make it sound like it did some 35 years ago. Well in theory I could but I’ve talked about this before and really to attempt to do so would be very, very bad for my creative psyche so that makes it impossible. Over the next couple of weeks I will be putting some of the songs from my new album up on this website but I have also been in conversation recently with Mike Mulholland and he is playing a bit of bass guitar again and for my next album which I will hopefully work on later this year I intend to do more of a rock thing and Mike may be involved in it which would be interesting.

Here’s the home recording I did of Northern Painting. Which completes the 3rd phase of the Coathanger Trail.

Northern Painting