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mixes music

granite mix 1

A few years ago I put some mixes up on the web and each one took quite a lot of preparation. For a start the music was on vinyl and I had to digitise it. Then I researched each artist and wrote a little bit about them. And also scanned cover art and then loaded it all up and used html (nothing too complicated). Now I’ve worked out this easier way which even takes away the need for me to make any choices…or hardly any. I have this Brennan box that a friend gave me and I’ve loaded up a lot of music onto it. Like most things you can randomise it and it does a neat little segue between tracks. I know everyone does this sort of thing all the time anyway. Which means that I’m not exactly sure of the value of putting this up. In the end it’s like a radio show and I suppose those are still popular enough. I wanted to use some sort of name to associate with this process and hit on granite – not sure why exactly although if pressed I’m sure I could think of some reasons

Here’s the mix

Granite Mix 1
Artist Title Album
John Surman Druid’s Circle A Biography of the Rev Absalom Dawe
Jeru the Damaja Me or the Paper Wrath of the Math
Carla Bley End of Animals Escalator over the Hill
Wayne Shorter Night Dreamer Night Dreamer
Willie Walker Dupree Blues Ragtime Blues Guitar
Cannonball Adderley & Bill Evans Who Cares You Know What I Mean
The Cramps Love Me Off The Bone
Gang Starr Work Moment of Truth
Sheppard A Solis Ortus Cardine n/a (radio broadcast)
Kronos Quartet & Asha Boshle Piya Tu Ab To Aaja You’ve Stolen My Heart
Categories
micromuseum music trees

as regards tintin street

At last I have managed to finish the demo I started a while ago. It gives me a chance to put up a couple more bits of Hergé artwork in an unassuming manner. I can’t see the harm in it myself. I’ve called it RV Marche RG which is pronounced as if you were speaking French to give it an English quasi-phonetic spelling it would be ‘ervay marsh erjay’ or something like that but really you need to get that guttural French R to give it it’s most satisfying rendition. Really I know that properly my initials should be reversed and be ‘vayeur’ rather than ‘ervay’ but the thing is I’ve never reversed my initials – yeh sure I’ve reversed the letters of the name because that makes Trebor Yesav which could easily be a Georgian sculptor or a Macedonian boat-builder – but Georges Remi did reverse his initials which gave him his distinctive pen-name.

The song stems from a street near where I live which for some reason I call Tintin Street. Quite often when I’m coming home late at night I pause for a while on this street (which is quite a steep hill) and reflect. I’ve thought a lot about why I call it Tintin Street but I can’t quite pin it down. It was sort of an instinctive thing. I’ve looked through the various books trying to find some point of reference but with no success so far. Here follow some street and house images from the cartoons.

My Tintin Street is very different from the actual street that Tintin lived on. We just get glimpses of that. Here seen from a vantage point slightly higher than the 2nd floor window suspended in the air outside the building.

And here from the middle of the road outside. It’s quite a busy street in the middle of town. As you can see the glimpses of the street usually coincide with a dramatic incident – abduction in both these cases. Firstly Bunji Kuraki of the Yokohama police force and secondly Tintin himself.

So what is the reference point? The madeleine in the tisane? Is it the balconied window?

Or maybe just the shutters?

It could be the long, high concrete wall that I refer to in the 3rd verse of the song. Plain walls are popular with cartoonists for obvious reasons.

Or possibly it’s all a mistake and I was thinking of another famous Belgian.

[René Magritte L’Empire des Lumières (detail)]

Anyway here’s the track.

RV Marche RG