Back in 1968 Aretha Franklin brought out an album which was called Aretha Now. I was 14 back then, my brother or my sister who were older than me had the album which contains 10 songs including Think; Say A Little Prayer; You Send Me and the one in this mix See Saw. I remember, I remember, I remember and I’m speechless.
Twenty-two years earlier in 1946 the BBC adapted Shakespeare’s Love’s Labours Lost for radio and Gerald Finzi wrote the incidental music. Later he developed the music into an orchestral suite.
Over the last year or so I’ve been making some arrangements of a few instrumental pieces for solo guitar. One of the first ones I did was a setting of My Foolish Heart as played by Bill Evans. One day I hope to arrange Waltz For Debby for 2 guitars. There is much to…
Lejana y sola.
Paco Peña is one of my favourite guitarists. This recording comes from a Radio 3 programme which I think was broadcast sometime in the 90s. I don’t know the details of what the piece is, but it is, of course, beautiful.
And I’m pretty sure this is Nicanor Zabaleta although I don’t seem to have the cd any more and can’t find anything obvious on amazon (no link I’ll let you try that one yourself). Somewhere I’ve got some radio recording of a Gillian Tingay recital which I can’t seem to lay my hands on. It was easier when it was all vinyl. Still they did seem to go mysteriously missing even then.
I have written before about the 1st time I saw Kevin Ayers & The Whole World back in 1971, but I’m not going to trot it out right now, maybe later sometime. That was the year that whatevershebringswesing came out. I remember still hearing some of it first on John Peel‘s Sounds of the Seventies. A bit disappointed at first. But Song From The Bottom Of A Well in itself would justify the whole thing and there’s a couple of other classics.
Kevin was “born 16 August 1944 in Herne Bay, Kent” according to Wikipedia. According to the same source John Douglas Surman was born exactly 2 weeks later in Tavistock, Devon. Well that’s strange isn’t it, perhaps not. I think John Douglas is the first repeat I’ve made in this Granite series but as far as I am concerned he is much under-appreciated and is one of the finest British musical creators of the last 50 years.
John Lee Hooker was born in 1917, the same year as my father. In fact 99 days after my father’s birthday. 9 + 9 is 18 and if you subtract 1 from 18 you get 17. This is starting to get scary.
I also don’t have much to say about Gulzar and his film, Lekin because I don’t know much about him, but I always loved this Bollywood stuff after hearing it in Brick Lane curry houses in the late 70s and early 80s. Here’s a link for some incredible excerpt from some film with music by Hridaynath Mangeshkar and Gulzar.
And also I heartily recommend this film of John Fahey playing in 1969.
here’s the mix
|Aretha Franklin||See Saw||Aretha Now|
|Gerald Finzi||Music for Love’s Labour’s Lost: Alegretto grazioso||Finzi – A Centenary Collection|
|Bill Evans Trio||My Foolish Heart||Sunday at the Village Vanguard|
|Paco Peña||Unknown||Radio Broadcast|
|Salzedo||Chanson dans la Nuit||Unidentified Nicanor Zabaleta album|
|Kevin Ayers & The Whole World||Song From The Bottom Of A Well||whatevershebringswesing|
|John Surman||The Snooper||Withholding Pattern|
|John Lee Hooker||Blues Before Sunrise||Unknown JLH Compilation|
|Gulzar & Hridaynath Mangeshkar||Kesariya Balaam||Gulzar’s Lekin|
|John Fahey||Unknown Tango||I Remember Blind Joe Death|
|Nico||Le Petit Chevalier||Desertshore|