I have finally managed to get all my digital music on one device, pretty much all anyway. That still leaves out a vast amount which is on vinyl although some of that has been digitised and is on the device though quality not brilliant. Anyway this task makes it easier for me to create a to some extent random mix and behold another exercise in granite-working.
I’ll ski on to the tracks.
Canção do Amor Demais is a beautiful album where lyricist Vinicius de Moraes and musician Antônio Carlos Jobim got Elizeth Cardoso to sing for them. A ground-breaking album from 1958 with fantastic arrangements by Jobim and I love Elizeth’s voice.
Der Ruf der Rohrflöte is a very atmospheric piece. When I shove it into Google translate I find it means ’The reputation of the reed pipe’. I’ve got the DVD of Nosferatu but haven’t watched it for a while – I must soon and I will try and spot where this track occurs, it’s track 10 on the soundtrack but that may not mean anything.
On my first Granite mix which was back in December, 2011, Wayne Shorter was included with a track from this same album. It’s not my only album of his but it’s just coincidence. I’ve thought for a long time that he’s undervalued as to how great a composer he’s always been. A friend told me the other day she’d been to see him with the Lincoln Center Orchestra at the Barbican and it’s good to see that maybe he’s starting to get recognition – since he’s 82 now it’s about time.
The Sinatra song is from a film called Higher and Higher which came out in 1944. I couldn’t find a clip of him singing this song in the film but here’s a 5 minute snip and there’s another song so you get the feeling.
Granite Mix 1 also had a track from Gang Starr there’s nothing really strange about this I know but I’m still worried. Shame what happened to Guru, but Premier is still representing as you can see in this clip of his set 3 years ago.
Lani McIntyre is perhaps not as well known as some of the other artists nor probably ever will be but I certainly was happy to find this clip of him with his orchestra and a bunch of sweet dancing girls.
Robert Wyatt first started to develop the political impact of his songs and music around 1980 but the album that first drew that together, Nothing Can Stop Us in 1982 only had one song written by himself, Born Again Cretin which was his first stab at writing a political song (at least first made public). Three years later he brought out Old Rottenhat and he’d managed to crack it with some really strong material that dealt with politics in an outstanding way. The song included in this mix is just as relevant today.
here’s the mix
|Elizeth Cardoso||Luciana||Canção do Amor Demais|
|Jon Hassell||Camminavo Nella Strada||Sulla Strada|
|Popol Vuh||Der Ruf der Rohrflöte||Nosferatu|
|Wayne Shorter||Armageddon||Night Dreamer|
|Frank Sinatra||A Lovely Way To Spend An Evening||Frank Sinatra In Hollywood Volume 1|
|Gang Starr||Form Of Intellect||Step In The Arena|
|Lani McIntyre||Chimes||Hawaiian Moonlight|
|Robert Wyatt||United States Of Amnesia||Old Rottenhat|
|S.E. Rogie||Baby Lef Marah||Palm Wine Guitar Music: The 60’s Sound|