The last Granite Mix had a track by Bill Evans in it (not to mention earlier appearances in the geological section) and now I’ve decided to dedicate a whole mix to the man, just to show how much I love his music. His world is a curious mixture of beauty and tragedy perfectly expressed by the way he would hunch over the piano in his simultaneous role as servant and master. Here’s a clip to show what I mean.
Tony Scott was another character who found his contemporary world hard to deal with. There aren’t many clarinetists in so-called Modern Jazz (so-called because I don’t like labels/genres in music, but unfortunately the alternative is to redefine musical history which would be tedious).
1957 was a very productive year for Charles Mingus and as well as East Coasting he put out The Clown, Mingus Three and A Modern Jazz Symposium Of Music And Poetry as well as recording Tijuana Moods which wasn’t released until later.
Kind Of Blue was my first (as far as I’m aware) encounter with Bill Evans and it is no doubt the most well-known album that he played on. There is a certain amount of controversy over whether Bill should have had any of the composition credits on the album, specifically on Blue In Green. In his autobiography Miles insists
Some people went around saying that Bill was co-composer of the music on Kind Of Blue. That isn’t true; it’s all mine and the concept was mine. What he did was turn me on to some classical composers, and they influenced me.
On the other hand Evans has told how Davis gave him a piece of paper with 2 chords (Gmin13 & A7(#9#5)) and asked what he’d do with it. It seems he did a fair bit with it and all he did with it was used. So on the original album the track is credited to Davis and on subsequent recordings that Evans did of the track it’s credited to both men.
The live recordings taken from the 2 albums released in 1961 – Sunday At The Village Vanguard and Waltz For Debby which were recorded on June 25th 1961 for me are up there with the finest ever live recorded music. It’s all a matter of taste come to that but certain things affect the whole shape of what comes after and other things just disappear down a black hole.
So my favourite things by Bill Evans are the June 25th live recording, the contribution to Kind Of Blue and then there’s the solo session recorded on January 10th 1963 which Evans requested never to be released. For me that’s like Kafka saying in his will that all his unpublished manuscripts should be destroyed. Luckily in both cases it didn’t happen. Basically he was so strung out on heroin at the time that he did the session to get some money to score. I don’t remember the exact story. Obviously I wasn’t there, but I’ve read about it. Most of the time in this world you’re not there. Unless it’s yourself of course. But the thing about the session is that the deliberative, totally introspective nature of the performance means that… well it’s difficult to explain, but the most I can say is that listening to the music from that recording is like eavesdropping on a genius when he thinks he’s alone and musing with the universe.
After that there’s a couple of live tracks with the 2 main bassists that Bill found to replace Scott LaFaro (I haven’t even covered that, I’m going to have to save it for later). Firstly Chuck Israels and then Eddie Gomez.
And then finally another solo piece another popular song by Anthony Newley and Leslie Bricusse a ballad that was one of his favourites not least for the title. Fool though he might have thought himself sometimes for his massive heroin and then cocaine intake the legacy’s there. Few can claim to have achieved more.
here’s the mix
|Tony Scott||Five||The Modern Art Of Jazz|
|Charles Mingus||Celia||East Coasting|
|Miles Davis||Flamenco Sketches (alt take)||Kind Of Blue|
|Bill Evans Trio||My Man’s Gone Now||Sunday At The Village Vanguard|
|Bill Evans & Jim Hall||Romain||Undercurrent|
|Bill Evans||Everything Happens To Me||Solo Sessions Volume 1|
|Bill Evans Trio||Stella By Starlight||At Shelly’s Manne-Hole|
|Bill Evans Trio||Blue In Green||Live In Paris Volume 3|
|Bill Evans||What Kind Of Fool Am I||Alone Again|